We shoot and produce photo, video, and graphic design in our own studio and on location, built around what the production actually needs instead of a monthly content count. Every project is a specific job with its own crew, gear, and finished deliverable. Based in Los Angeles, shooting anywhere.
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A launch campaign and a product catalog aren't the same job, but a lot of agencies price and shoot them identically. The business needed a specific production, and got a content count instead.
A product set shot like a lifestyle spread, or a cinematic treated like a quick reel. Every production type calls for its own lighting, pacing, and crew, and skipping that step shows in the footage.
Files that never got a real edit, images that don't match the rest of the catalog, or footage nobody sized for where it actually needed to run. A shoot day only counts once the files are usable.
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Launch work, commercial video production, key art, and ad graphics built around a specific rollout instead of a recurring content calendar. Graphic design lives here too, from concepts through final files.
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Product, lifestyle, cinematic, and on-location photography, shot in our studio or wherever the brand actually lives. A product set and a lifestyle shoot get planned differently because they're selling different things.
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Brand films and hero video built to hold attention past a few seconds, for a homepage, a launch, or a campaign that needs something with more weight than a quick clip.
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Vertical video built for how a feed actually gets watched, not a horizontal file cropped down after the fact. Format gets decided before the shoot, not fixed in the edit.
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YouTube builds, feature pieces, and documentary-style video for brands with a real story to tell, shot and paced for someone who's going to watch the whole thing.
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No generic shot list. We start with where the work is going to run, then build the crew, the shots, and the schedule around that specific job.
media built for
what it's actually for
No generic shot list. We start with where the work is going to run, then build the crew, the shots, and the schedule around that specific job.
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We start with the use case: what's being made, where it's going to run, and what it needs to do once it's out. That decides everything that follows, not the other way around.
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Locations, studio setup, and gear get planned around the shot list, not the other way around. A cinematic and a product set need different rooms, different light, and different crews entirely.
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Production day runs on the plan, with the crew and gear built for that specific job. Nothing gets improvised that should have been decided during the brief.
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Files come back edited, color corrected, and sized for every place they're going to run. A shoot day isn't finished until the footage actually works where it needs to.
media built for
what it's actually for
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Campaigns, cinematics, product and lifestyle photography, short-form video for Reels and TikTok, long-form video, and graphic design. Every project starts as a specific production with its own plan, not a generic content package applied to whatever the brand happens to need that month.
Both. We have our own studio space for controlled shoots like product photography, and we also shoot on location when the job calls for a real environment, a specific setting, or something a studio can't replicate. Which one fits gets decided during the brief.
Our in-house team runs most productions. For larger jobs, we bring in a hand-picked crew we've worked with before, sized to what the production actually needs. You're never getting a stranger showing up with a rented camera.
Yes. Content creation is priced and scoped per project, with no full onboarding required. You don't need to be a client of any other service to book a shoot, and a one-off production is a normal way to work with us.
Every project gets priced based on what it actually requires: crew size, shoot length, locations, and post-production. Talent, locations, permits, props, vehicle transport, travel, and any licensed music get passed through at cost. Copyright-free music is included at no extra charge.
That's set per project based on what the shoot actually captures and what the use case calls for. A product set and a full-day campaign shoot produce very different volumes, and we'll tell you what to expect before the shoot, not after.
Turnaround is set per project depending on scope, from a quick photo set to a longer edit with color and sound. We'll give you a real timeline once we know what's being made, not a generic number that doesn't match the job.
You do, outright, with unlimited usage. Every finished file is yours to use anywhere, for as long as you want, with no licensing fees or usage restrictions attached after delivery.
No. A raw file hasn't been color corrected, retouched, or edited, and the frames haven't even been chosen yet. That work is what turns a shoot into something usable, so we deliver finished files, not an unfinished version of them.
Unlimited, within the approved brief. If a cut or a set of images needs adjusting to match what we agreed on, that's included. A new concept or a reshoot is a different project, and we'll scope that separately before starting it.
Mostly no. Content creation is billed separately from every other service, including social and paid media. The one exception is small on-location shoots for active social clients, which are included there at our discretion. Anything bigger gets scoped here.
Yes. Key art, ad graphics, and campaign design work run through the same process as photo and video, planned around where the design actually needs to live rather than built as a standalone asset.
Automotive and the aftermarket make up most of our production work, wheels, tires, performance shops, and specialty builds, since that's where our crew has shot the most. We also produce for legal, healthcare, real estate, construction, manufacturing, home services, and eCommerce brands.
Yes. We're based in Los Angeles and shoot anywhere the production calls for. Travel, lodging, and related costs get passed through at cost, and we'll scope that as part of the project once we know the location.
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Tell us what you're making and where it needs to run, and we'll build the production around it.
